short catch-up on adventures of worldwide proportions

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Always in motion is the future.

~ Yoda, Star Wars Episode V: The Empire Strikes Back ~

NYC subway sunset

three days ago would have signaled my 12th anniversary of moving to NYC. today i found this draft from September 16th, 2012 (written just a month shy of my 9th anniversary of moving to NYC). in a month, i will be back in NYC, briefly, after having expanded out into the world and living in all kinds of places and spaces.

in celebration of all these anniversaries, of a great love and struggle with numbers and time, and of breaking down the very notion of time itself, herein contains the post. it comes from the future, about the past, and, i don’t know about you, but somehow all this time travel puts me right here in the present.

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: allowing ourselves to emerge from the space that we are.

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Abiding is an in-between experience. Because of that, it gets less attention. It’s not a peak event such as arriving or departing or even an intentional action such as accumulating or releasing. Lacking an obvious drama to pull you in, it is easy to miss or ignore or avoid.

But if you do place your attention on the liminal, allowing yourself to feel the threshold-space of richness of neither here nor there, you discover that this is where the magic happens. It’s when things start to cook.

A good yoga brew is made of the universal elements of heat and exertion, breath, sweaty muscles, and strong bones. In life, these same ingredients show up as tears and love, anger and fear, hope and confusion, sometimes nausea, sometimes heartbreak, sometimes joy.

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“You already have everything you need to be happy.”

Bingo! All of us experience moments of insight that pop up out of nowhere. Maybe it was a matter of time and practice…drip, drip, drip, the bucket fills. Or maybe something more ordinary like boredom or exhaustion or jet lag slows us down long enough to notice.

What I wanted had been there all along, but I was too busy creating my own dukha to notice it. I see that tendency in my students too. They might be sitting nicely in a pose but the space between their eyebrows has a deep crease that tells me they are in pain. When I ask them about it, it’s almost like I woke them up out of a nap. A typical reply might be, “Oh yeah, this position always kills me. It’s been like that for years. I just don’t have good shoulders.”

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on Beginning Again with Nothing to Prove. Grad School, Year Two.

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on Loss, Death, and what's on the Other Side.

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Toshi and i have been friends for 7 years now. we met in Voice & Speech class when i first started acting school at HB Studio and he just moved to the U.S. from Japan. we were friends at first sight even though we never officially hung out that much outside of class. but i believe that we shared a connection and mutual respect for each other’s talents and spirits, and despite wanting to work together, the chance never came up.

we kept in touch super loosely over the years. you know, via Facebook, or seeing each other at shows that we or our mutual friends were in. that was, until about a year and a half ago when he insisted that I audition for the Wind-Up Bird Chronicle.

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